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TC
04-26-2004, 06:16 PM
Artist: Joe Diffie

Album Title: Tougher Than Nails

Broken Bow Records (http://www.brokenbowrecords.com/)

Release Date: June 1, 2004



Diffie's Tougher Than Nails is one of those rare albums that you can listen to over and over without skipping tracks. Every song is enjoyable. The album includes some heartfelt sad songs and others that are just plain old-fashioned fun. Also featured on this album is a duet with special guest George Jones performing "What Would Waylon Do?" with Joe Diffie.


Be sure to add this one to your collection.

TC



Album Background

No stranger to the top of the charts, Joe Diffie is enjoying yet another out-of-the-box hit with the title track of his new album, Tougher Than Nails. But this collection, his first for Broken Bow Records, is about more than another round of commercial success for a performer with 10 No. 1 records and six million in sales to his credit.

First and foremost, Tougher Than Nails is an expansive vehicle for one of the most respected vocalists in country music. And his voice continues to draw the support of the music industry’s top talent–from songwriters, to producers, to one very high-profile country legend.

Beyond that, the album strikes a delicate balance by returning to Diffie’s beginnings while tipping its hat to the future of country music. In terms of material and style, the album is the most diverse offering since his first. Perhaps most importantly, Tougher Than Nails illuminates Diffie’s continued growth as a songwriter.

“We started on this album with a clean slate creatively, “ Diffie says. “I’ve tried to approach this project as I have every other album–find the best songs. I choose songs on gut instinct, but when I sat down and started writing it really helped the album take shape. We started to see things that lent themselves to a lot of different styles, like my first album. A lot of people tell me that first release was their favorite, so we didn’t hesitate for a second to let this one recapture those roots.”

Joe Logan Diffie was born and raised in Tulsa, Oklahoma, where he was immersed in music from a young age. His first public performance came in his aunt’s country band when he was only four. It was songwriting, interestingly enough, that lured Diffie to Nashville after his song ‘Love On The Rocks’ was recorded by Hank Thompson.

Diffie found work in the Nashville-area Gibson guitar plant and soon established himself as one of Music Row’s top demo singers. “When I first came to Nashville I sang a lot of demo recordings–songs that would be pitched to other artists,” he explains. “I had worked in a foundry in Oklahoma, and singing for a living seemed like a piece of heaven. I took it very seriously, making sure I told each song’s story the way I thought the songwriter intended.

“I’d written a few songs that had been recorded,” he continues. “Holly Dunn recorded my song, ‘There Goes My Heart Again,’ and when I heard her version it confirmed that her interpretation of my lyrics was what made it a hit. So I’ve always learned the ‘story’ before I sing the song.”

That innate sense of phrase and meaning, that relentless attention to detail, served Diffie well as he made the transition from demo singer to major label recording artist. Early hits including “Home,” “If You Want Me To,” “If the Devil Danced In Empty Pickets,” and “New Way To Light Up An Old Flame” established Diffie as, arguably, country music’s foremost balladeer.

As his career progressed, Joe began flashing a more playful side on the uptempo smashes like “John Deere Green,” “Third Rock From The Sun,” “Bigger Than The Beatles” and “Prop Me Up Beside The Jukebox (If I Die).” Over the course of the nineties, Diffie used his steady radio success to build a solid fan base while notching his belt with 17 top 10 hits, two platinum albums and two gold albums.

When his deal with Sony finally expired after the 2001 release of In Another World, Joe began taking more of his career in hand. He signed with Broken Bow Records, one of Music Row’s preeminent independent labels. And he began making music–donning the producer’s hat for the first time in his career, enlisting Lonnie Wilson and Buddy Cannon as co-producers.

The Roster of top shelf contributors to Tougher Than Nails is indicative of just how much weight Diffie’s remarkable instrument carries in the country community. Wilson, a noted session drummer and producer, and the acclaimed Cannon (Kenny Chesney) are only the beginning. The songs bear writer credits from A-list writers like Frank Meyers, Leslie Satcher, Harley Allen, Shawn Camp and Bobby Tomberlin. George Jones, with whom Diffie won a 1993 CMA Award, voices a duet with Diffie on “What Would Waylon Do?”

More than a stellar supporting cast, Tougher Than Nails is a singular statement from its principal. “This album shows more of me–the way I was raised, where I am in life, how I approach things–than anything else I’ve recorded,” Diffie says. “Probably because I wrote so much of it. I’ve always gravitated toward substance over sizzle, and this album really displays the inner workings of my creativity. It’s got substance.”

TC
04-26-2004, 07:24 PM
Joe Diffie: Tougher Than Nails

Cut by Cut

The More You Drink The Better I Look
Joe Diffie/Shawn Camp
Shawn and I started out writing a ballad together and halfway through this idea emerged. I said, "Hey we should write this instead of the ballad." So we did. It came together in short order and we had a lot of fun in the process.

Tougher Than Nails
Phil O’Donnell/Max T. Barnes/Kendell Marvel
From the moment I heard it I liked so many aspects of this song. The melody, the message, the way it was crafted. And the hook really nailed me–no pun intended! It brought back memories of my Dad– giving me advice and just doing simple things with me as a kid...throwing me pitches so I could practice my batting. Those images all came rushing back when I heard this.

Nothing But the Radio
Frank J. Meyers/George Teren
We had this song for the last project and I rediscovered it going through tapes. I played it for Lonnie, who thought it was a hit. It’s just one of those gems I’ve held on to hoping I could record it before anyone else found it.

Good News, Bad News
Danny Wells/Chris Wallin
This is one of my favorites. There’s just something that sticks with me about this song. The first time I listened to it on the bus, I must’ve played it a hundred times. Long after the band went to their bunks, I was still playing it.

Am I
Joe Diffie/Billy Yates
A simple title for a complex song. I think a lot of people have felt this emotion.

Movin’ Train
Joe Diffie
Close your eyes and jump. It’s a timing thing. This is a real picker’s song–There was a lot of room for some cool licks to land here

If I Could Only Bring You Back
Frank J. Meyers/Chip Davis
This song is very poignant–when I first heard it I thought it was about a lost love. I talked to one of the songwriters, Frank Meyers, and he told me the real story. It’s about a couple that lost their child in an accident. Knowing that made it a tough song to sing.

What Would Waylon Do?
Leslie Satcher/Wynn Varble
We recorded all my parts in the studio and halfway through decided to see if George was game for a duet. We ended up taking a portable rig out to his house and setting up in his bedroom to record. To get to record with one of my heroes was an absolute thrill.

Something I Do For Me
Joe Diffie/Harley Allen
Just a neat slice of life that Harley and I put on paper.

Daddy’s Home
Joe Diffie/Jimmy Yeary
I grew up in rural Oklahoma where my mom was a teacher. My dad worked as a welder and drove trucks as well. I remember when my dad came in from work, it was always a celebration of sorts, dinner would be on the table and the family would gather. When I wrote this it stirred up thoughts of how one phrase, "Daddy’s home," can conjure up memories of multiple childhood experiences–some good, some from lessons learned, some that just tug at your heart as though they were happening in the moment. This is pretty autobiographical stuff for me as my Dad was such a fixture in my child hood.

This Time Last Year
Giles Godard/Bobby Tomberlin/Robbie Wittkowski
Is there anything we wish for more than to have those little moments back? Those times when we weren’t really sure what we had? This song speaks to that feeling so well, we just had to cut it.

My Redneck of the Woods
Phil O’Donnell/Craig Morgan
This song brought a different atmosphere to the album. A slice of life, Southern style, that allowed us to put a lot of musical versatility into the mix.

IceDevil9
08-22-2005, 04:50 AM
I shall definatley pick up this album.

-Frank :cool: